perhapstwenty

Monday miscellany:

- So what are the odds we get an antipope this time in addition to a pope?

- Sepinwall gave season 2 of Andor a good review (minor spoilers, I guess) - the first 3 episodes drop tomorrow and it sounds like they are doing 3 episodes a week for 4 weeks, as each one comprises a mini-arc. Trying not to get spoiled on the internet is sure to be a nightmare.

- I haven't done the AO3 stats meme regularly since 2018 because not much changes in my top 10. In 2021, however, I made note of some up-and-comers in the 11-20 slots, and it turns out that as of 4/20/25, Post Hoc, Ergo Propter Hoc (i.e., the one where Dick convinces Jason to stop killing through the power of hugs) has crept into the top 10 by hits - it's number 9! (It looks like Our history is just in our blood (history, like love, is never enough) (the Steve/Bucky remix AU where Steve finds Bucky working as a barista) is the one that fell out of the top 10.)

Post Hoc, Ergo Propter Hoc also made inroads into the top 10 by kudos, landing at number 5! Additionally, 2 Star Wars stories also found their way into the top 10 by kudos: There's Still Time to Change the Road You're On (in which Anakin time travels to the post-RotJ era and meets his kids) at 6, and deep as a secret nobody knows (AU where Leia tells Vader she's Padme's daughter and it changes everything) at number 8!

The 3 Avengers stories that dropped are again, Our history is just in our blood (history, like love, is never enough), plus Even a Miracle Needs a Hand (Clint/Darcy fake Christmas boyfriend), and with the lights out, it's less dangerous (Steve/Bucky, then and now).

According to these posts, I did not previously do the full list by comments, but I will note the appearance of deep as a secret nobody knows at number 3 on the comments list, and another Vader-and-Leia AU, Just a Little Bit of History Repeating, at number 10, with the VMars/Avengers crossover we travel without seatbelts on sitting pretty at number 7.

So I guess given enough time, these things CAN change.

- Today's poem:

Nothing Will Warn You
by Stephen Dunn

Nothing will warn you,
not even the promise of severe weather
or the threats of neighbors muttered
under their breath, unheard by the sonar

in you that no longer functions.
You'll be expecting blue skies, perhaps
a picnic at which you'll be anticipating
a reward for being the best handler

of raw meat in a county known
for its per capita cases of salmonella.
You'll have no memory of those women
with old grievances nor will you guess

that small bulge in one of their purses
could be a derringer. You'll be opening
a cold one, thinking this is the life,
this is the very life I've always wanted.

Nothing will warn you,
no one will blurt out that this picnic
is no picnic, the clouds in the west
will be darkly billowing toward you,

and you will not hear your neighbors'
conspiratorial whispers. You'll be
readying yourself to tell the joke
no one has ever laughed at, the joke

someone would have told you by now
is only funny if told on yourself, but no one
has ever liked you enough to say so.
Even your wife never warned you.

***

I decided to make the King Arthur pretzel rolls again today (well, half the recipe to make 4 hero-shaped buns) - they only require a first rise of 1 hour and a second of 15 minutes so I could start them at 3 pm and be eating by 5:30. I proofed the dough in this nice bowl I have that has its own lid, and I did it in the unheated oven with the oven light on (I've never done it like that before but I've seen it recommended a few places), and about 50 minutes in, there was a loud popping sound, and it turned out that the carbon dioxide produced by the rising dough popped the lid right off! That had never happened to me before! I figured if that was happening, the dough was proved and it was. They turned out delicious. Definitely recommended.

Here's today's poem:

Singe

I read the tops of the poems, ten or twenty lines down.

In the beginning of the book, a man is leaving his wife
for a lover. By the end, the lover is tired of the man, who wonders
if he made a mistake. The book has the quality of a diary,
the beginnings of poems imply the ends of other poems, other days,
this is a man to know in the morning.

It's raining here, where the book lives for now, and the mood
of fog fits the sadness of the book, I hold it out the window,
bring it back and dry it off with my shirt.

I know a woman who knows the poet. I call her and ask
which tops of poems are true. She wants to know why I don't
finish the poems. I tell her I dreamed last night
I work inside a steam shovel, that the tops of the poems
are my sky, my white clouds. It's impossible to talk
to just one poet, and I'll feel the ears
of people I don't know floating behind me for a week.

There are two children in the book. They must be in college by now,
married or incapable of marriage. I believe the poet was honest
about their names, I consider finding and e-mailing them,
asking if they felt betrayed or like rock stars, some other kind
of celebrity, I suddenly want to know if they play tennis
or like Pop Tarts, if either drove up to see their father
and threw the book at his head, the stab marks on the cover
making him break down and apologize for the hurt, not the poems.

Calvino had an idea for a book that appeared to have been pulled
from a fire. What wasn't there would be as much of the story
as the little bells, the indentations of eye teeth in a pencil,
the shape of wind against a sheet. The bottom of this book
is on fire, is where the lies have fallen, where someone
tells someone they were never loved, where a body is rhapsodized
as the font of renewal, and eight pages later, deplored as snare.

I devise solace for the book: we should count birds, I tell it,
should ride a horse, you and I. Some other time I'll read
the bottom only, read this life and turn each page
with both hands, carry the words in the basket of my flesh,
carry them over, carry them safe, some other time, nor was it ever
too late.

—Bob Hicok

***

I was doing so good with reading books again but alas, I have had the 2nd Finlay Donovan book open in the same spot for a week and instead have been reading fic or watching tv. So have some quick thoughts on TV I have watched:

Silo: I enjoyed this - the first season is better, but the second season has its moments! Unfortunately, Steve Zahn is like a BEC for me, so that put a damper on parts of season 2. Like, he's a decent actor or whatever but he makes me want to turn off my TV every time I hear his voice.

The Residence: I enjoyed this a lot and I hope they make as many seasons of it as Uzo Aduba wants, perhaps in really fancy buildings every time, though I hope they are slightly tighter in terms of story telling - 8 episodes was slightly too much imo.

Abbott Elementary: this season has been a lot of fun and I will be watching the finale tonight!

Elsbeth: still enjoying this also, though I've been doling out the episodes more slowly now that I'm like only 1 behind the current episode.

Severance: I have avoided saying much about this show since for me it's a very mixed bag (great acting, beautiful cinematography, wonky pacing, questionable writing) and I know a lot of people love it, but I hope Tramell Tillman has a long, highly decorated career as a leading man in action movies, musicals, rom-coms, and whatever else his heart desires. I am also always happy to see Dichen Lachman on screen!

Wheel of Time: I have been enjoying this as well, though 8 episodes feels too short given everything that they are covering (note: I haven't read the books and currently don't plan to). ( spoilers ) Let them all sing more! The singing has been GREAT.

And lastly, here's today's poem:

Object Permanence
by Hala Alya

This neighborhood was mine first. I walked each block twice:
drunk, then sober. I lived every day with legs and headphones.
It had snowed the night I ran down Lorimer and swore I'd stop
at nothing. My love, he had died. What was I supposed to do?
I regret nothing. Sometimes I feel washed up as paper. You're
three years away. But then I dance down Graham and
the trees are the color of champagne and I remember -
There are things I like about heartbreak, too, how it needs
a good soundtrack. The way I catch a man's gaze on the L
and don't look away first. Losing something is just revising it.
After this love there will be more love. My body rising from a nest
of sheets to pick up a stranger's MetroCard. I regret nothing.
Not the bar across the street from my apartment; I was still late.
Not the shared bathroom in Barcelona, not the red-eyes, not
the songs about black coats and Omaha. I lie about everything
but not this. You were every streetlamp that winter. You held
the crown of my head and for once I won't show you what
I've made. I regret nothing. Your mother and your Maine.
Your wet hair in my lap after that first shower. The clinic
and how I cried for a week afterwards. How we never chose
the language we spoke. You wrote me a single poem and in it
you were the dog and I the fire. Remember the courthouse?
The anniversary song. Those goddamn Kmart towels. I loved them,
when did we throw them away? Tomorrow I'll write down
everything we've done to each other and fill the bathtub
with water. I'll burn each piece of paper down to silt.
And if it doesn't work, I'll do it again. And again and again and -

***

Today's poem:

The Five Stages of Grief
by Linda Pastan

The night I lost you
someone pointed me towards
the Five Stages of Grief.
Go that way, they said,
it's easy, like learning to climb
stairs after the amputation.
And so I climbed.
Denial was first.
I sat down at breakfast
carefully setting the table
for two. I passed you the toast—
you sat there. I passed
you the paper—you hid
behind it.
Anger seemed more familiar.
I burned the toast, snatched
the paper and read the headlines myself.
But they mentioned your departure,
and so I moved on to
Bargaining. What could I exchange
for you? The silence
after storms? My typing fingers?
Before I could decide, Depression
came puffing up, a poor relation
its suitcase tied together
with string. In the suitcase
were bandages for the eyes
and bottles of sleep. I slid
all the way down the stairs
feeling nothing.
And all the time Hope
flashed on and off
in defective neon.
Hope was my uncle's middle name,
he died of it. After a year I am still climbing,
though my feet slip
on your stone face.
The treeline
has long since disappeared;
green in a color
I have forgotten.
But now I see what I am climbing
towards: Acceptance,
written in capital letters,
a special headline:
Acceptance,
its name in lights.
I struggle on,
waving and shouting.
Below, my whole life spreads its surf,
all the landscapes I've ever known
or dreamed of. Below
a fish jumps: the pulse
in your neck.
Acceptance. I finally
reach it.
But something is wrong.
Grief is a circular staircase.
I have lost you.

***

Today's poem:

NASA Video Transmission Picked Up By Baby Monitor

Instead of her little one nestled between the purple
elephant from Aunt Meg and the blanket knitted
by Tricia, the new mother glances up to see a space
station—tattooed by a meteorite—
now plummeting toward Hamtramck, Michigan.

Maybe she feels the same terror I felt when I sat
in a theater as a child. A man in a black tuxedo
staggered across the stage, removed his gloves
and tossed them into the audience, gloves as black
as piano keys that shrieked above us, became
two fuming ravens that flapped around the room
and circled the chandeliers. Plato says
we live in a cave and stare at a wall of shadows
cast by the light outside. We name the shapes
and believe them real. Turn around and the sun
blackens the pupil. I've known people, afraid of the sun,
who opened their eyes to God, but found only
a wine cellar lit by a guttering lamp. There's so much
to be afraid of, so much to gaze at and be wrong about.

How many shadows are left to name? Logophobia
is the fear of words. Keraunothnetophobia
is the fear of falling man-made satellites. Imagine
how a woman might walk out and look to heaven
for the sky lab plunging down on her—
wires everywhere, bolts loosening, metal body in flames.
But, she sees only blue, endless blue, the color
of a baby's new blanket, cloaking everything.

--Matthew Olzmann

***

As I may have mentioned, I love pretzel rolls, so I decided to take a stab at this recipe since her peasant bread recipe is so easy, and the rolls are good! (pics) But the timing is so weird. First of all, using cold water instead of warm is odd, and I guess contributes to the EIGHT TO TEN HOUR first prove. On the counter, not in the fridge. I mixed up the dough last night around 10 pm, and set my alarm for 8 am so I would be up in time to set it up for the second rise, which takes FOUR TO FIVE HOURS. (then I went back to bed for a couple of hours.)

I'm not sure why I think the timing is so weird - I guess a 12 hour/overnight proof in the fridge would make sense and also be fine timing-wise - you could do it at 9 pm and get up at 9 am without worrying, because the fridge is going to inhibit the rise enough that it won't overprove. But 8 to 10 hours means starting at 8 am means you don't start the second rise until 4pm and then they have to prove for another 4 hours at least? I guess it's meant for people who get up earlier than me. Idk.

Otherwise it was easy enough, except for getting the dough balls neatly out of the tray and into the water, so I couldn't keep them the nicely round shapes. Since they're just for me, and like the recipe author's kids, I can't be bothered to make sandwiches when I can eat them on their own or with butter, I don't really care, but it would be nice for once if something I made looked as good as it tasted. *hands* I'll probably go back to the King Arthur recipe I've used previously, though - it takes much less rising time.

One thing I will recommend, if you are someone who makes a lot of bread but doesn't always use a mixer, is a dough whisk. I'm not a huge fan of single-use kitchen gadgets, but I find this weird-looking thing really good for mixing up dough and getting it to come together without having to use the mixer or my hands.

***

I spent all of yesterday thinking it was Thursday and was mighty disappointed when it wasn't, which means I also forgot to do a Wednesday reading post, so here we go:

What I've just finished
A Drop of Corruption by Robert Jackson Bennett, which absolutely lives up to the first book and which I enjoyed tremendously, though I wish I had not been eating when I read parts of it, because the body horror is real and it is regular. I can't wait to see where Din and Ana go next!

Finlay Donovan Is Killing It, which is a breezy story about a writer who gets mistaken for a contract killer and ends up involved in some shenanigans of the criminal sort. It's a fun, fast read you shouldn't think about too hard.

What I'm reading now
Finlay Donovan Knocks 'Em Dead, which is the first sequel to the above, and so far it is more of the same, though ( spoiler ) I definitely want to know more about Vero and her cousin Ramon, so I hope that comes up in this one.

What I'm reading next
Again, I have spent so long in a book-reading drought these last 5 years that I'm just happy to be here again, so I cannot say.

And now, today's poem:

The afterlife of fame
By David Trinidad

                     is dark
a neglected mansion

with vanishing court
rats in the empty pool

and antiquated actress
languishing

as ghost of her famous self
flickers in the projector's beam

or framed in silver
haunts every room

Face unrecognizable?
Name forgotten?

O float me to Oblivion
in my swan bed

with my bandaged wrists
and doors shorn of locks

with swirl of my cigarette smoke
and glitter of my jewels

and silent flutter
of my weightless tulle

***

In other news, I baked some bread (I started it at the end of my lunch hour at around 3 pm) and I am waiting for it to be cool enough to eat - it smells so good I want it now!

***